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We're feeling a little more light-hearted, which is cool." That's why we had the all-American boy on the cover - our version of him. It's fun to take this stance and have some fun. With this issue, we thought, 'Fuck all that!' We're like 'McDonalds! And Mickey Mouse! And hip hop!' We've all got as much access to that American identity as anybody. "We spent a lot of time in our first issue considering what our lives would have been like as slaves - a darker, black narrative. Here The Tenth give us their current Ten Commandments. Khary's keen not to get too down on Montgomery though: "It's just like New York: from neighborhood to neighborhood, you might have to change your approach or swag depending on where you are."
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Get out of here!' The Tenth team wisely skipped town, headed to New Orleans and hit up a bounce club that same evening.
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We tried to explain, 'Oh, we're just taking pictures.' They're like, 'We don't give a fuck, faggots. We saw this really gorgeous old-school Cadillac kitted out, rims, candy pink, so I was like, 'Cool, we'll shoot on this Cadillac.' As soon as the subject leans on the car, up pulls this car of four thug-ass dudes, guns in their fucking waistband, and they're like, 'What the fuck!? Get off my car faggots!' Because we're not trying to be straight - we're carrying on, having a good time. "We were down in Montgomery, Alabama, shooting a very cool piece about the civil rights movement. Like all good roads trips, it wasn't without incident, as Khary explains some Thelma & Louise style madness.